汉代文化与 《 三 国演义 ‘ 》 的造型设计 H an C u lt ure an d the P r o d uetion D es ign o f “ Th e Th re e Kingd o m s” H e Ba otong InA ugust , 1 9 90 , 1 w as h onor ed to be the ge ne r a l art de sig ne ro f “T h e Th re e Kingd o m s ” ( a 84 一pa rt TV s eries ) · Th ro u ghthefo u r 一y e a r exp lo r a tion , 1 sue e es s fullyf re e d my s e lf fr om theinte rfe r ene es o f tr adi - tional stylizationan d e one e pt ua liz atio n , an dm anagedto tapthe a rt fig - ur e s f u ll o f strongspirito f theirtimes , rieh lo ca l f la voran dindividu ali- ty · “T heTh re e Kingdom s ” 15 a m aste r pie e eo f C hin e s eelas s ie al . It po s ses ses high eu lt ur alan d hist o r ie value , as w e ll a s pr aetieals ig n ifi - e ane e . M ean while , it15 a ls oa m a g nu m O Pu s o fw ar histo r y o f aneie nt Chin a . The r efo r e , the TV serie s 15 sup pos ed to be a g r an dhist orie s 详 eta elea n d anep ie o fw a r , in the s a m e time , it15 a m u lti 一Po la r ex - Pr es siono fH aneu lt ur e · Th eartiele de tailedthegene r alpla stie d e s ig nan d the e o n erete im - plem entin g e ir eu m stano eso f the TV s e rie s . 26 8